Archive for the Category "Art Institute Online"
would the art institute online division consider me a full time student??t?
im 18 and i want to go to the art institute but im going to have a full time job and its good money but i cant go away to school so i wanted to see about the art institute online ubt i cant do it unless it counts as being full time because i need to still stay on my parents health insurance
Intro to the Hue, Saturation and Brightness sliders for Adobe Illustrator and Adobe Photoshop. For my Color Theory students at the Art Institute of Pittsburgh, Online Division.
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How to create Additive, Subtractive and Traditional Color Wheels in Adobe Illustrator. Tutorial for my Color Theory students at the Art Institute of Pittsburgh, Online Division.
Video Rating: 4 / 5
This is a compilation of the work I did at the Art Institute of Fort Lauderdale. I also have some writing samples availible (mostly AP Style) Stephanie L. Young 954-471-2463 1330 NW 81st Ave. Plantation, Florida 33322 Skills Microsoft Office Windows/Mac Operating Systems Editor Detail Oriented/Organized Writer/Written Communication Strong Verbal Skills Adobe Creative Suite Protools/Final Cut Pro Sound Board Objective To obtain a career that utilizes my excellent communication skills, challenges me, and allows room for potential growth both personally and professionally Professional Accomplishments Achieved Dean¡¦s List four times throughout my Academic career. Received Broadcasting Scholarship to The Art Institute of Fort Lauderdale. Volunteer May 2010-October 2010 Writer, StopTheHype.com, Online StopTheHype.com is an online newspaper. I am a contributing writer to the page, writing articles on various topics weekly using Microsoft Word and Outlook. Work History December 2009 – August 2010 Demonstration Professional, Demo Sales Inc, Independent contractor Based in Lakeland, FL I Presented live demonstrations at various grocery stores. Practicing customer service, hospitality, ability to speak in front of people, and work under pressure. I helped push the sales of several different products weekly, March 2008 – June 2008 Radio Personality, 88.3 The WAIF, Fort Lauderdale, FL Was talent, writer, and news reporter of my own show at The Art Institute of Fort Lauderdale. Wrote …
Video Rating: 3 / 5
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Find More Art Institute Online Products
This behind-the-scenes look of leading entertaining expert David Tutera working with top students from the Fashion Design program as they assist brides just a few weeks before their wedding day with all of the preparations including the most important component — a couture bridesmaid dress. The participating students, now graduates, were Sara Vigil, a 2011 graduate with a bachelor of fine arts degree in Fashion Design from The Art Institute of California — Inland Empire; Masai Payan (winner), a 2011 graduate of The Art Institute of California — Hollywood with a bachelor of fine arts degree in Fashion Design; and Daniel Magana, a 2011 graduate with a bachelor of fine arts degree in Fashion Design from The Art Institute of California — Orange County. Each produced two designs and presented their garments to a panel of judges, which included the bride and The Art Institute of California — Los Angeles Fashion Academic Director Claude Brown. To see the winning dress selected by the judges for the bridesmaids, viewers can watch the complete “Fashionista Bride” episode of My Fair Wedding with David Tutera on WE tv online at www.wetv.com/shows/my-fair-wedding. Formore information on The Art Institutes, visit: bit.ly See aiprograms.info for program duration, tuition, fees, and other costs, median debt, federal salary data, alumni success, and other important info.
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A few nice art institute online images I found:
Salk Institute of Biological Studies
Image by Penn State Libraries Pictures Collection
Creator: Kahn, Louis I., 1901-1974
Date: 1959-1965
Current location: La Jolla, San Diego, California, U.S.A.
Description of work: Distant view from sea side, Salk Institute of Biological Studies, La Jolla, CA. "A major part of its programme was the monumental representation of a new institution in a new location, and Kahn responded with a site plan that echoed his Beaux-Arts training: two study/laboratory wings flank a formal axial courtyard with a view to the sea; they were to have been connected by oblique linking paths to a village-like residential area and a meeting building. Mechanical services for the laboratories are accommodated in walk-through inter-floor spaces, a method that became standard practice in hospitals and laboratories." – Anderson, Grove Art Online
Work type: Architecture and Landscape
Style of work: Modern
Culture: American
Source: Society of Architectural Historians, Image Exchange (http://www.sah.org/imagex.html); Photographer: Nicolais, J.
Resource type: image
File format: JPG
Image size: 401×600 pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. alias.libraries.psu.edu/vius/copyright/publicrightssah.htm
Collection: Worldwide Building and Landscape Pictures
Filename: 07380f.jpg
Record ID: WB7920
Sub collection: research buildings
Salk Institute of Biological Studies
Image by Penn State Libraries Pictures Collection
Creator: Kahn, Louis I., 1901-1974
Date: 1959-1965
Current location: La Jolla, San Diego, California, U.S.A.
Description of work: Detail of water channel in court, Salk Institute of Biological Studies, La Jolla, CA. "A major part of its programme was the monumental representation of a new institution in a new location, and Kahn responded with a site plan that echoed his Beaux-Arts training: two study/laboratory wings flank a formal axial courtyard with a view to the sea; they were to have been connected by oblique linking paths to a village-like residential area and a meeting building. Mechanical services for the laboratories are accommodated in walk-through inter-floor spaces, a method that became standard practice in hospitals and laboratories." – Anderson, Grove Art Online
Work type: Architecture and Landscape
Style of work: Modern
Culture: American
Source: Society of Architectural Historians, Image Exchange (http://www.sah.org/imagex.html); Photographer: Nicolais, J.
Resource type: image
File format: JPG
Image size: 395×600 pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. alias.libraries.psu.edu/vius/copyright/publicrightssah.htm
Collection: Worldwide Building and Landscape Pictures
Filename: 07380d.jpg
Record ID: WB7919
Color relativity using of the principle of ground subtraction in color theory to make one color appear as two different colors. Tutorial for my students at the Art Institute of Pittsburgh, Online Division.
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Frank Gehry Designs Bizarre Grammy Poster, George Clooney Goes Evil for Alex …
[NYT] – French "Googleplex" Hosts Cultural Institute: A team of engineers at Google's newly-inaugurated Paris headquarters has been put in charge of the distribution and preservation of culture online. "We offer, for example, virtual museum visits with …
Read more on ARTINFO
Some cool art institute online images:
Salk Institute of Biological Studies
Image by Penn State Libraries Pictures Collection
Creator: Kahn, Louis I., 1901-1974
Date: 1959-1965
Current location: La Jolla, San Diego, California, U.S.A.
Description of work: Study wing, Salk Institute of Biological Studies, La Jolla, CA. photo 1982. "A major part of its programme was the monumental representation of a new institution in a new location, and Kahn responded with a site plan that echoed his Beaux-Arts training: two study/laboratory wings flank a formal axial courtyard with a view to the sea; they were to have been connected by oblique linking paths to a village-like residential area and a meeting building. Mechanical services for the laboratories are accommodated in walk-through inter-floor spaces, a method that became standard practice in hospitals and laboratories." – Anderson, Grove Art Online
Work type: Architecture and Landscape
Style of work: Modern
Culture: American
Source: Society of Architectural Historians, Image Exchange (http://www.sah.org/imagex.html); Photographer: Brack, Mark L.
Resource type: image
File format: JPG
Image size: 392×600 pixels
Permitted uses: This image is posted publicly for non-profit educational uses, excluding printed publication. Other uses are not permitted. alias.libraries.psu.edu/vius/copyright/publicrightssah.htm
Collection: Worldwide Building and Landscape Pictures
Filename: 07380e.jpg
Record ID: WB7921
Sub collection: research buildings
Original Delocator “Add A Cafe” page
Image by finishing-school
Offices of the Anti Advertising Agency and www.delocator.net
Two exhibitions by the artists’ collaboratives the Anti-Advertising Agency and Finishing School will take over the San Francisco Art Institute’s Walter and McBean Galleries for the month of April and into May.
The Anti-Advertising Agency (AAA) will transform the McBean Project Space into its temporary headquarters replete with a conference table, desks, chairs, dry erase boards, a water cooler, fluorescent lamps, and cubicle walls in order to plan the Agency’s counter-advertising projects for 2005–2006. Artist and educator Steve Lambert founded the Anti Advertising Agency. Co-opting the tools and structures used by the advertising and public relations industries, the Agency was established as a response to the pervasiveness of commercial content in public urban space. As the CEO of the Anti Advertising Agency, Lambert will work from start to finish with the artists selected for Agency support to help realize their projects.
To date, five artists’ projects have been selected for Agency support. All of these projects will have workstations in the gallery/office where they can begin work and present their ideas to the public.
Participating artists include Sara Dierck and Michael Dodge, who will work on engaging the public through sound and radio; Amanda Eicher, who will focus on connecting consumer products with labor; Susan R. Greene, who brings expertise in community-based art making and clinical psychology; Packard Jennings, who will hone the Agency’s message through public surveys and target audiences; and Dara Greenwald and Josh MacPhee, who will use street teams to promote business activity that doesn’t rely on advertising. As each of these artists projects evolve, the residual Post It ® notes, reference material, paper scraps, diagrams, and scrawled notebooks will be left in the gallery as part of the exhibition.
Simultaneously, downstairs in the Walter Gallery, the Southern California based artist group Finishing School will create a café/workshop environment to serve as the physical location for the launch of their newest project, the web-based, www.delocator.net. Finishing School is the collective identity of artists Brian Boyer, Ed Giardina, and xtine. For this project the artists have collaborated with computer programmer Vasna Sdoeung to produce their interactive website www.delocator.net. This online interactive database allows patrons to enter and pull comparative information regarding independently owned café and trans-national coffee emporiums.
During the exhibition, Finishing School will transform the gallery into a traditional coffee house environment with the addition of computers and wireless Internet access. Gallery visitors will learn about the delocator project and are invited to add information to a growing online database of independently owned café’s and coffee houses.
Finishing School is the second Nimoy Artist Residency to be funded by Susan Bay and Leonard Nimoy, who established the Nimoy Foundation in 2003. The mission of the Nimoy Foundation is to recognize, encourage, and support the work of contemporary visual and performing artists.
Exhibitions Director Merry Scully finds the entrepreneurial approach taken by both the AAA and the Finishing School reflective of national and international art making trends. "This kind of artistic practice engages the social and political sphere rather than simply representing or commenting upon it," explains Scully. “It invites a rethinking and exchange from the audience that more didactic work does not."
The Walter and McBean Galleries are open Tuesday–Saturday, 11am–6pm. Both exhibitions invite active participation by the audience. The "CEO" of the AAA will be on-site and available to the public Wednesdays, Fridays, and Saturdays. The AAA will offer free anti-advertising "consultations" to the public on Wednesdays at 6:30pm, and "focus groups" on Fridays from 4:00pm to 5:00pm. The delocator café/workshop will be open during gallery hours. More information about these projects can be found at www.antiadvertisingagency.com
and www.delocator.net.
College and University News
AICPA will post all videos online and winners will be determined by a popular vote. CVCC alumni, students, faculty and staff are invited to submit samples of their artwork for consideration in the 2012 NC Community College Art Exhibit. …
Read more on Charlotte Observer
Catholics Re-Mobilize Against Brooklyn Museum "Hide/Seek" Show, Europe's …
The president of the Modigliani Institute in Rome maintains the painting is genuine; it is currently listed in the institute's catalogue raisonné of the artist. [TAN] – Stolen Painting to Stay in France: The French culture ministry has offered to …
Read more on ARTINFO
A few nice art institute online images I found:
Tim Durfee, Bruce Sterling, Fiona Raby, Anne Burdick
Image by G A R N E T
Art Center (Pasadena, California)
Exhibition: www.artcenter.edu/mdp/madeup/exhibition.html
Tim Durfee is organizer-curator-director of the events that comprise the MADE UP series. Tim became part of the core faculty at the MDP in 2009, after a two-year visiting Associate Professorship at Woodbury University. Before that, he taught for twelve years at SCI-Arc (The Southern California Institute of Architecture), where we was Director of Visual Studies. Tim’s independent and collaborative practices are diverse, but — resisting the term ‘multi-disciplinary’— attempt to operate in a way where the appropriate mode and medium for a given project emerges from a process of research and inquiry. Some of this work includes award-winning buildings, exhibitions, online exhibitions, sign systems, motion and sound.
Bruce Sterling is an Austin-based science fiction writer and Net critic, internationally recognized as a cyberspace theorist. He currently blogs at Beyond the Beyond for Wired Magazine.
Bruce’s most recent book-length essays question and promote how the future is shaping our concepts of self, time and space, including Shaping Things (2005), and Tomorrow Now: Envisioning the Next Fifty Years (2002). Bruce was the founder of the Dead Media Project, an on-line reliquary of forgotten media technologies. He founded the Viridian Design Movement, an environmental aesthetic movement founded on the ideas of global citizenship, environmental design and techno-progressiveness. His writings have been very influential in the cyberpunk movement in literature, specifically the novels Heavy Weather (1994), Islands in the Net (1988), Schismatrix (1985), The Artificial Kid (1980), and Involution Ocean (1977). He co-authored, with William Gibson, The Difference Engine (1990), a novel that is part of the steampunk sub-genre.
Fiona Raby studied Architecture at the RCA before working for Kei’ichi Irie Architects in Tokyo. She also holds an MPhil in Computer Related Design from the RCA. She was a founding member of the CRD Research Studio where she worked as a Senior Research Fellow leading externally funded research projects. She taught in Architecture for over 10 years before teaching in Design Interactions. Fiona is also a partner in Dunne + Raby, a creative design partnership that use design as a medium to stimulate discussion and debate amongst designers, industry and the public about the social, cultural and ethical implications of existing and emerging technologies. She is co-author, with Anthony Dunne, of Design Noir: The Secret Life of Electronic Objects.
Anne Burdick is a regular participant in the international dialogue regarding the future of graduate education and research in design. In addition, she designs experimental text projects in diverse media, for which she has garnered recognition, from the prestigious Leipzig Award for book design to I.D. Magazine’s Interactive Design Review for her work with interactive texts. Burdick has designed books of literary/media criticism by authors such as Marshall McLuhan and N. Katherine Hayles and she is currently developing electronic corpora with the Austrian Academy of Sciences. Burdick’s writing and design can be found in the Los Angeles Times, Eye Magazine and Electronic Book Review, among others, and her work is held in the permanent collections of both SFMOMA and MoMA. Burdick studied graphic design at both Art Center College of Design and San Diego State University prior to receiving a B.F.A. and M.F.A. in graphic design at California Institute of the Arts.
Hat1800alt
Image by emcadorette
From the fantastic Metropolitan Museum of Art Costume Institute online archive. I love the odd shape of this piratical hat, and the pleated cockade with the strangely flat bias leaning band across it. Can’t really tell what that is. Met’s site says it doesn’t note the materials, but the hat looks like leather to me.
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